On the surface, John Drewe seemed to be living the sort of life many people dream of. He had two physics PhDs and a job as an advisor at the Atomic Energy Authority. He lived in an upmarket London neighbourhood with his family and was an admired patron of the Tate Gallery. But Drewe had a secret. He had never studied physics. His job was a sham. And, instead of working on atomic energy, he was the mastermind behind the biggest art forgery racket of the 20th century. Fifteen years on, the art world's bruises have yet to completely heal. And the recent news of a hitherto-unknown Caravaggio... This article is part of our premium content. Full story is available on Times of Malta Premium.
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